Old Buzz and New

s e x x y

i saw mommy kissing santa claus the ronettes

about you xxyyxx

crystalized the xx dark sky remix

give in to you xxxy

angels the xx

terrible angels cocorosie

trois gymnopedies (partial) ISAN

bear hides and buffalo cocorosie

bison swarms

bison session victim

trois gymnopedies ISAN

half heat up all night drake james blake

i’m on one drake shlohmo remix

seriously (live) shlohmo

maybes (live) mount kimbie and james blake

gentle flame hiatus

cherokee cat power nicolas jaar remix

acorns and orioles guided by voices

gymnopedie no 1 erik satie pascal roge

trolley-went-etc

clang boom steam -tom w

cumbia a los lejos -alejandro p

freudentraene - klangkuenstler

sonnentanz - klangkarussell

loch lomond -maxine s

sophisticated and coarse everyday thoughts -ty

ruller tungt (eloq remix) - suspekt

fair weather friends - daedelus

a tune for jack - lemon jelly

freight to my soul -cosmic kids

hamar girl 

mating dance - flako

fisherman -the congos

1977 -ana t

whistling 

your love - kavsrave

night at the dogs - jesse r

fever -elvis p

ellipsis (radio rip) -joy o

geuda spring

dutch door

stay dead

holy motos

speed slow

darpa mule

billy hell

nordic lard

innocents

make time

sea expanse

record vice

Yeah, most of the time. I’m really trying to get better at using a computer, because I travel more. It’d really be great if I could write full songs on my computer, but I’m still not that good at it yet. I’m just more comfortable with turning on a synth, playing it really quick and then recording it and chopping it up. I do use a computer, but more as like a four-track, you know what I mean? I’ll just record all the drums, synths, and parts, and then I’ll splice and dice and arrange it all on the computer. Nearly every single track I’ve made starts in the real world though, in a real box. I mean, some of the drum sounds are samples through the computer, but most of the drum sounds and synth sounds you hear in my work come from my analog collection.